I am interested in comparing what Vita Sackville-West signifies in Virginia Woolf\\\'s \\\'biography\\\', with what Tilda Swinton signifies in Sally Potter\\\'s film.
This pathway will explore, primarily through images of Swinton as Orlando (although the accompanying essay will recognise this casting to be about more than appearance), aspects of star intertextuality in Potter\'s 1992 film of Woolf\'s 1928 \'biography\'; that is, what the actress adds to the eponymous character in the process of adaptation, as a result of her star persona.
What is lost and what is gained?
What is lost and what is gained?
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