Exploration on the ways in which gender becomes a fluid concept throughout Orlando and the aspects of the film that contribute to this.
This pathway will explore, primarily through images of Swinton as Orlando (although the accompanying essay will recognise this casting to be about more than appearance), aspects of star intertextuality in Potter\'s 1992 film of Woolf\'s 1928 \'biography\'; that is, what the actress adds to the eponymous character in the process of adaptation, as a result of her star persona.
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